This catalog has some 5,000 titles representing the cinematography of 60 countries. Every year,Studiocanal dedicates a share of its investments to preserving and leveraging this precious cinematic heritage.
Restoring films in line with the intentions of the filmmakers, remaining loyal to the spirit of the work, and successfully converting the works from the former media to high-definition digital format are the challenges undertaken by Béatrice Valbin-Constant, who has given new life to a number of cult films including Grand Illusion (1937) by Jean Renoir from France, The Graduate (1967) by Mike Nichols from the US and Senso (1954) by Luchino Visconti from Italy.
